Ballerina cover:

Condo remembers that West came to his studio between eight and ten times over the course of the summer. The ballerina — a concept that later worked its way into West’s “Runaway” film and performance at the VMAs — came from one of those visits. “We were hanging around one night, and we were listening to that tune ‘Runaway,’” Condo recalls, when his wife, Anna, showed West a a shot of French dancer Sylvie Guillem moving in slow motion. “And somehow Kanye grabbed onto that idea of the ballerina,” Condo explains. “He just said, ‘Hey man, I’d like to have a great ballerina painting.’ I thought of a ballerina toasting. You know, ‘let’s toast to the scumbags.’”

Naked sphinx cover:

“That’s a good painting,” Condo says matter-of-factly. “She’s a kind of fragment, between a sphinx, a phoenix, a haunting ghost, a harpy. And then Kanye is also in some sort of strange 1970s burned-out back room of a Chicago blues club having a beer — so far away from the real Kanye West that it’s just a scream.” In painting Kanye in such an outrageous situation, Condo says, “I was challenging him with the imagery as well. He said, ‘I’m shocked, but I like it, and I gotta go with my gut feeling.’” This cover’s already been banned by Wal-Mart and Apple’s iTunes Music Store, much to Condo’s disgust. “The superimposition of people’s perceptions on a cartoon is shocking,” Condo scoffs. “What’s happening in their minds should be banned. Not the painting.”


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